Sunday, 31 October 2010
Happy Halloween y'all.
My favourite villian ever from probably my favourite horror movie.
It's amazing how they managed to turn a child molester into an anti-hero really.
Saturday, 30 October 2010
Friday, 29 October 2010
"Why are you doing this to us?"
"Because you were home."
Good answer. Good film, not particularly scary but definitely made well. I love the guys mask, thats why I drew him. It's essentially a pillowcase with holes & stitching but its brilliant. I like pen outlines with pencil shading as well, it's good. Probably should've sharpened the pencil a couple of times though.
Thursday, 28 October 2010
So as I mentioned earlier the letter head was not in keeping with the natural theme that goes hand in hand with the Native American thing. So I decided it would be better in slate. Heres a mock up photoshop situation of what it would look like, basically keeping the same layout as the original header but it would be scratched into some slate. Hopefully I'll be able to get my hands on some slate and actually make this but for now this will have to suffice.
A really quick mock up of the box that the slate would be placed into, the wolf is engraved on the top.
For my compliment slip for Matilda Joslyn Gage I've kept with the Native American theme but taken it a little further. Instead of creating a traditional compliment I've created the concept for a gift of a piece of traditional jewelery that would be given out. This features the wolf emblem I designed. I would like to create this at some point but it might not be a possibility, especially with the teeth. So heres a vector I made of what I would like it to look like.
Overall I think this would be very effective as a compliment slip/gift for the period especially in the context of my subject. I also had the last tutorial for this project today which was a little confusing but I think I know what I'm doing now. The main aspects that came away from it were to create this (done) and to think a little more about stock to use for the paper based pieces. It was agreed that the business card is pretty much there & would look good if it was finished on cow hide/leather or something similar. The letterhead however didn't really fit in with the rest of the work as it was a little too modern and needs to be taken back to the same era. Some of the ideas that arose were: using slate, scratching into the surface in the same layout & possibly presenting this in a wooden box with the wolf engraved onto the front. Or possibly using hide again & then creating some kind of box/container for that to be presented in. Of the two ideas I prefer slate.
Wednesday, 27 October 2010
After messing about with a lot of different layouts I came up with this one. Overall I think this works fairly well, I've managed to keep the type at the top in a small way but I found that using it for all the text was a little overpowering & distracting from the layout. I've also re-used the wolf here which would be a watermark, ideally this would be printed onto some rough/handmade paper to keep the natural feel throughout. The decorations on the page are Native American patterns which I felt would both be appropriate and add another dimension to the piece. I wanted to keep the second name & the meaning in as well so I've used that as the name on the address. I couldn't find an actual address for Matilda Joselyn Gage so I've created one from elements such as her birth year, husbands last name & city of birth. As a whole I think this is quite effective, it keeps in all the elements that I want to reflect about the subject & is also looks good.
Tuesday, 26 October 2010
Monday, 25 October 2010
They are easier to catch.
Inks on some nice thick paper. The colours have rendered a little funny on the scan but oh well. 3 hours well spent I think. Halloween is fast approaching and I felt it was high time I did something zombiesque.
So I made an assessment of my selection of wolves & I felt this one was quite strong so I turned it into a vector which I think has worked quite well as it has kept all the quality in the lines, perhaps made them a little rougher even which is good.
The wolf dropped onto a cow hide backing, I toned the colour down slightly so that it didn't pop out too much and look really digitalised. I might need to make it a little smaller so as not to take up so much of the surface area as it's a little dominating at the moment.
A couple of quick designs for the back of the card. I wanted to keep it quite simple in order to keep it consistent with the front side. I think the second version here is better but still definitely needs some work before it's finished.
Below are some of the pages from my sketchbook where I tried to work out an effective typeface to use for this project. I wanted it to look hand rendered as obviously there would not of been printing technology to this level in the 1800's and also because of the nature of the work. I decided a cursive style would be best to use but in a brush pen to give it less of a structured feel.
The move to illustrator. I think this has worked fairly well, when I add this to the actual work I will probably change the colour slightly so that it's not quite so bold as this will take the digital edge off of it.
Sunday, 24 October 2010
Saturday, 23 October 2010
Friday, 22 October 2010
Above are the less successful illustrations of wolves that I did for this project. After some experimentation I decided on the howling wolf pictured just above. I felt this had the most impact. I chose to use a brush pen to give it more of an earthy feel & stop it from being too clean cut as the drawing pen versions were. Below are the more successful versions of this wolf, one of which I will be using for the final illustration.
I like all of these, I was just trying out some different weight of lines in different areas along with some different levels of details to see what would work effectively. In terms of the purpose of the illustration: to be printed on to a natural/course material, the less detailed ones are probably more appropriate as they will render much more clearly and effectively. Final decision to come at a later point.
The wolf comes from the Iroquois tribe as well, as they were known as the wolf clan. It is also a strong icon/symbol for her personality as it means strength & fierce independence. This was an attempt at some homemade embossing techniques.
Thursday, 21 October 2010
Wednesday, 20 October 2010
Tuesday, 19 October 2010
Monday, 18 October 2010
So were back to the summer project that went AWOL. Today has been spent fussing with re-creations, paragraph styles, tech problems & generally getting back to grips with InDesign. After four trips back and forth from the printers we finally managed to get the files all correct and it's been set up to print. Photos to follow of the actual book, but for now heres some JPGs.
Front and back covers.
We wanted to keep this simple and effective and not overcrowd it. I think this has worked quite well by using the corners rather than setting up a standard title situation. I think it makes it quite interesting and unusual. The page size is 200mm by 200mm as it is a standard size which we could all work to & get printed cheaply. The grid we used was a 3 column grid, 12.7mm margins & 5mm gutters.
Inside front cover & page 1.
Again very simple leading into the book which I think is effective for the same reasons. I like the unusual layout. We used 'Eurostyles' 10pt for the body copy & 'Rockwell extra bold' for the title. The brief was to take elements of all four of our original layouts & combine them to create a consistent book. Body copy was chosen from Vicky Kwan's & the title font is from my work. We felt these worked well both individually and as a combination as both are easily legible but are different enough that they don't merge.
Page 2 & 3.
Re-creation of my original layout. The font has been changed to 'Eurostyles' to fit with the rest of the book, this meant I needed to make a few tweaks in order to realign the copy & stop any widows etc.
My layout was also the only one of the 4 to have running heads at the top so these have now been moved to the bottom.
Page 4 & 5.
Due to the slight change in page size & grid the image had to be changed in size in order to keep the composition correct. We chose to keep coloured questions throughout as all white looked a little plain. The questions are also in bold as 3 of 4 previous designs already has this element.
Page 6 & 7.
First set of Vicky's spreads. This was more of an issue as 3 of us had black backgrounds while Vicky's had full illustrations. We tried a few different things but in the end we elected to keep the imagery the same & make it contrast with the rest of the work. She also had a 1,2,1 set up of a 4 page spread rather than a two double page set up which meant a rearranging of her imagery in order to make it fit.
Page 8 & 9.
As we all used different colours in our imagery we felt it bet to each use different colours in our text as well that would complement the imagery so Vicky stuck with red.
Page 10 & 11.
Quite similar to mine in the colour scheme, the only difference is there is no space between the questions & the answers due to space issues it had to be compressed in order to fit the whole interview into the space provided & keep the composition interesting.
Page 12 & 13.
On some pages we have removed the running heads as it would of ruined the composition of the page.
Page 14 & 15.
Another black background layout, the main difference here is the use of colour which is blue instead of yellow so as to be consistent with the imagery.
Page 16 & 17.
Page 18 & 19.
Back to simplicity to fit in with the front cover & contents page. After our trips to the printers we had to add two more pages so as to create the required 4 pages for a signature. These are not shown here because they are blank.