This has been, without a doubt, the most extensive period of time spent on a single illustration I've ever done. According to my blog record I posted the first character for this on the 30/01/12, and that took a few days in itself. So I've been working on this for nearly 3 months and it is finally finished and I am SO glad. I've added in the Kim Cattrall character (You have to have a woman in the poster somewhere. It's a rule.) and I've dropped the guardian simply because of the logistics of fitting him into the frame. Because of his shape he was being really awkward and wasn't fitting properly with any of the other characters and was throwing out the whole balance of the image so in the end I had to cut him from the final piece. I went with a black background & blended that into the bottom of the characters.
I also abandoned the hand-made text I had after some feedback regarding its inaccuracy and general shoddiness. I tried to keep the typeface as close to the original movie posters/cover as possible as I think it's a fairly iconic part of the imagery for this particular film. So I used the same colour gradient with the same stroke for the lettering. The typeface used for the title is Big Noodle Titling (which frankly sounds like it was made for this piece anyway) which was close enough to the original to be similar but not so 80's as to look as tacky. The typefaces used for the information at the bottom are OSP - DIN ( my favourite that I use on everything ) and I wanted another sans-serif to compliment it and after trying a bunch ended up with Trebuchet. ( I think that's how it's spelt. ) I like the effect that using different weights and sizes of the same font within a line has; I think it really helps to emphasise certain words without being too distracting or breaking the flow. These two typefaces and positioning of the information will be constant across all my posters to create a sense of them being a set.
Overall I'm really happy with the final outcome of this poster. I think that the illustrations have all joined together well to create a strong, balanced image that holds its own but is supported by the typography. I wanted to do justice to the original imagery used and I think that by taking elements of the compositional style and typography that I have managed to do so whilst bringing in my own take on the characters.
Enough talking.
Here's a picture.
I can't wait until this is blown up to A1.
I also made a tiny body-bag as packaging for my Small Town Folk vinyl today. But it's not quite finished so I'll hold off on the imagery for now.
